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The Great Gatsby I Summary, Context, Reception, & Analysis | symnusasenco.gq
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He is a hero because of what he becomes, a wealthy businessman who thinks can obtain anything he wants in life. Later in the novel, Gatsby becomes more of a dreary, darker character, who has been weathered with life. There is no doubt that Daisy represents an unattainable goal, perhaps a metaphor for the American dream; but, if Daisy is representative of that, then Gatsby is representative of an American who is unable to obtain his largest goal in life, despite having all of the necessities relationships to do so.
III Tom and Myrtle From the very beginning of the novel, Tom Buchanan is described as being a brute of a man, a truly forceful human being. The animalistic portrayal of Tom is central to the theme of exchanges in relationships because Tom juxtaposes Gatsby, but is in a relationship with Daisy, and has a friendship with Nick as well.
Fitzgerald creates Tom to be the villain against Jay, but also to show how powerless Jay actually is when it comes to his endgame, which is Daisy. Myrtle is a character that represents so much when thinking about Marxism through relationships, because she is one of the freest characters in the novel, yet has a relationship that throws the whole novel into a loop. For Tom, Myrtle is just a woman who makes him feel in control and powerful.
For Nick, Myrtle is a woman that helps him see the darker side of life. He thinks she goes to see her sister in New York.
Tom has no care for the feelings of others. In the context of this paper, it makes one wonder what the possibilities could have been for Jay and Daisy if the two had gotten together, sexually. The use of Myrtle in the novel is interesting because she represents a new woman; a woman of dominance in a relationship, unlike Daisy with Tom.
Rarely does Daisy take the sexual opportunities that Myrtle takes advantage of.yuzu-washoku.com/components/2020-05-05/3779.php
Essays on The Great Gatsby
Rarely does Daisy even have a choice, only once does she even discuss with Tom the extent of their relationship, and it is in the middle of a heated argument. Myrtle, aside from hiding her extra-marital relationship from Mr. Wilson, is very open about it. Tom and Myrtle, behind Mr. While it is evident that Myrtle gets some sort of excitement from their sexual deviancies, she is also finding herself as a free woman in this novel. She feels controlling over men allowing her to be psychologically self-gratifying.
Daisy releases her feelings about life to Nick very quickly after meeting up with him. The trust that Daisy puts into her relationship with Nick sets up the advancement of the plot. An overlying question is if Daisy, in some way, did not know that Nick had a key to a better life for her, despite Nick not knowing it yet. The two instead shared a love for Gatsby that creates a triangulation of powerful relationships. Despite Gatsby not fulfilling his goal of obtaining Daisy, the three are the most dynamic forces in the novel. If power is the central role in this argument, then figuring out who is more powerful, Gatsby, or Daisy, in utilizing Nick, is key.
Nobody from Nowhere make love to your wife. Instead of this argument, I believe that Daisy holds the power in these relationships. She is able to hold Gatsby to his words and drive him to become a better man, or more powerful, as he did prior to the novel, in an attempt to retain her.
For Daisy, she knew that her interest, or investment, in Gatsby could develop into something great in the long run, something that she had desired for quite some time. Daisy lets her life be controlled by economics instead of which relationship would make her truly happier. The life of Scott Fitzgerald closely pertains to the topic of this essay, not only because Fitzgerald was a wealthy, popular writer who spent a substantial amount of money in his life, but mainly because he was a writer closely associated with other successful writers and artists in his time. Fitzgerald, in the same way that, for example, Gatsby and Daisy, use relationships to try to get what they want in life, so do Fitzgerald and his wife.
While I have argued that Fitzgerald plays with roles of relationships and the power that can come from having relationships, I would also argue that Fitzgerald did the same thing with his own personal career. In The Great Gatsby, if viewed through a Marxist lens, readers can see the dynamics of relationships; if one were to critique the life of the late Scott Fitzgerald, they could do no less than note the powerful people that Fitzgerald was closely acquainted with, including Hemingway.
Fitzgerald was introduced to writers like, James Joyce, Gertrude Stein, and Sylvia Beach, all of whom have their own respected giant successes. From an early age Fitzgerald recognized the difference between money and social acquisitions, much like he notes through his characters in The Great Gatsby.
Scott Fitzgerald celebrated many successes in his career as a writer, all of which helped him create an equally successful social life. The Fitzgeralds, according to Jackson Bryer, drank heavily during these successes, so much that some of the couples would not want to join them Scott and Zelda stayed up with the social standards of their society, usually associating with the more successful artists of their generation. This must have been why in all of his fiction, very much including Gatsby, Fitzgerald writes of wealthy people.
Both writers were involved in the upper-class social scene of the time, and took part in both American and French society, having lived in both places. According to Sarah Churchwell, Hemingway and Fitzgerald were not close acquaintances until after Fitzgerald published Gatsby. I would argue that after the publication of Gatsby, Fitzgerald saw the relationship that was formed between himself and Hemingway and viewed it in a way that closely aligns with the relationship of Gatsby and Nick.
Together, the two were very powerful literary figures, creating literary works that have become canonical in American literature. Churchwell focuses on the sense of sex in their art and how that helped sell their works, but she also writes about the business partners that they became and how they challenged each other. Hemingway and Fitzgerald were closely involved in the business of writing, as well as the business of life. Consumer society helped create the commercial successes of both authors, allowing them to live lavishly, as they pleased, which also allowed them to become close friends and writing partners.
Much has been published on the ways that Fitzgerald and Hemingway construct their characters to resemble certain parts of themselves, or other people they know. This is central to any fiction writer of course, but Fitzgerald and Hemingway were both masters of it, possibly because they lived such interesting lives. Both writers were also willing, at times, probably thrilled, to critique each others works. Fitzgerald was at liberty to write about these topics because he positioned himself in his own life and career to experience the same things that Jay and Nick experience.
Through questioning the worth of the American dream in Gatsby, Fitzgerald shows readers the potential dangers of taking advantage of material society, as well as the dangers of taking advantage of relationships. At the root of the novel is the theme of selfishness, which in some way every character exhibits. Through Marxist criticism, a reader can see the downfalls of using relationships as a marketplace value.
Scott Fitzgerald. New York: Harcourt Brace Jovanovich, Print Churchwell, Sarah. Scott Fitzgerald And Ernest Hemingway.
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